Empty Words – Cutter
Empty Words – Interface
Left: Marcel Duchamp’s notes on The Large Glass, self-published in 1920
Right: Richard Hamilton and George Heard Hamilton’s translation, published in 1960
“Empty Words is a system for typesetting and producing text-based posters consisting of only holes.
Using a gently modified standard vinyl cutter and a custom made software interface, each hole is cut in sequence at a controlled speed. Similar to a Linotype machine, the resulting setup becomes a tool for the production of textual works.
Running on a modified Apple TV connected to a rotated LCD display, the software allows visitors to type their own posters, while enforcing many constraints.
Unlike other computer systems today, the setup does not offer any layout options and defines a maximum of five lines of text, at an automatically determined type-size, limiting the options for the poster to be produced, while painfully rendering visible the always present limitations of any technology-based system for creative production.
In 1920, Marcel Duchamp published his notes on The Large Glass in a box with letters consisting only of dots on the lid.
In 1960, Richard Hamilton published a typographic and linguistic translation of the box into English as well as the shape of a book, forcing him to interpret the missing letterforms of the alphabet.
In 2005, Jonathan Hares and Alex Rich completed the alphabet as a digital typeface and manually produced a pair of drilled posters as their contribution to The Free Library, curated by Mark Owens. This prompted the exploration of possible methods of automated, mechanised production.
For Empty Words the typeface was simplified by removing dots to prevent damage to the paper while the machine carefully cut one hole after the next. (Texts: juerglehni.com)